ed. by Joanne Berry
An archaeological study of Pompeii, one of the oldest archaelogical sites of the world.
Used book in excellent condition
72 pages with full colour illustrations
Henri de Tolouse-Lautrec
by Patrick Bade
Whether madonna, muse or temptress, women have been a source of artistic inspiration throughout history. In the Reveries series, Parkstone pays tribute to the important contribution women have made to artists by uplifting their spirits and giving free reign to their fantasies. We invite you to share the erotic world of well-known painters such as Degas and Schiele.
This new genre of art book offers a glimpse into the private lives of some of the most influential artists of modern times. The most striking features of the Reveries series are their brief texts, sophisticated layouts, and high-quality reproductions. Each title pays homage to the artists oeuvre and the elegant layouts include some rarely-seen images.
Every page benefits from a unique design and offers a unique setting for some of the most sensual works of Degas, Schiele. Modigliani and Toulouse-Lautrec. These publications should be considered as works of art themselves, a delight for the enthusiast; instructive for the novice; a welcome and valuable addition to any library.
Used Book, Hardbound, 120 pages₹ 400.00
by Patrick Bade
Degas was closest to Renoir in the impressionists circle. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others and transmitted his adoration for this master to Edgar Degas. Starting in 1854, Degas frequently traveled to Italy where he copied from the Old Masters. His drawings and sketches already revealed very clear preferences, especially in Raphael, Leonardo da Vinci, Michelangelo, and Mantegna. After his first compositions, which depicted horses, Degas made yet another discovery. His first painting devoted solely to the ballet was Le Foyer de la danse à lOpéra de la rue Le
Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier, Musée dOrsay, Paris). In a carefully constructed composition, with groups of fi gures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. Ballet would remain his passion until the end.
Used Book, Hardbound, 200 pages₹ 400.00