Brands

Sort By:
View:
  • Laurie Lisle
    Portrait of an Artist : A Biography of Georgia O’Keeffe

    Used book, Older edition
    486 pages

     200.00
  • DAVID J. McCUTCHION
    Unpublished Letters and Selected Articles
    Compiled and edited by Suhridkumar Bhowmick

    This book is uniquely enriched with about 70 priceless letters written by David McCutchion over a decade to the editor of this book. Beside this the book contains some invaluable writings on the temples of Bengal, about comparative religion, two unpublished articles on the struggle of East Bengal of that period and also a lot of unpublished photographs taken by David.

     225.00
    Version : ebook - hardcopy
  • RAMKINKAR BAIJ
    Self-Portrait: Writings and Interviews 1962-1979

    A compilation of essays, speeches, memoirs and interviews of one of the greatest Indian sculptors and painters.

     195.00
    Version : ebook - hardcopy
  • ANANDA K COOMARASWAMY
    The Indian Craftsman

    Closely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.

     160.00
    Version : ebook - hardcopy
  • PAUL GAUGUIN
    Noa Noa: The Tahiti Journal

    One of the most prominent post-impressionist artists, Paul Gauguin left his family and country only to move to the country of the so-called ‘uncivilized’ Maoris for the sake of painting. There he stayed with the Maoris, noted every intrinsic details of their livelihood and collected their mythology and folklores. He detailed every aspects of them in this book, elaborated the picture of a great civilization. Added with these are reproductions of many of his black and white paintings drawn during his Tahiti days.

     195.00
    Version : ebook - hardcopy
  • RAMKINKAR BAIJ
    Self-Portrait: Writings and Interviews 1962-1979

    A compilation of essays, speeches, memoirs and interviews of one of the greatest Indian sculptors and painters. Compiled and edited by Sandipan Bhattacharya. Translated into English by Sudipto Chakraborty.

     60.00
  • PAUL GAUGUIN
    Noa Noa: The Tahiti Journal

    One of the most prominent post-impressionist artists, Paul Gauguin left his family and country only to move to the country of the so-called ‘uncivilized’ Maoris for the sake of painting. There he stayed with the Maoris, noted every intrinsic details of their livelihood and collected their mythology and folklores. He detailed every aspects of them in this book, elaborated the picture of a great civilization. Added with these are reproductions of many of his paintings drawn during his Tahiti days.

     50.00
  • ANANDA K COOMARASWAMY
    The Indian Craftsman

    Closely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.

     50.00
  • Bholanath Bhattacharya
    Krishna in the traditional paintings of Bengal

    This monograph deals with the history of the pat in various parts of India, the evolution of the pat of Bengal with a special analysis of the Kalighat branch, the patuas, and lastly the history and significance of the Krishna cult in lndia in general and Bengal in particular and the place of this cult in the traditional painting of Bengal. Although the traditional pat of Bengal has had for its subject a host of religious and social themes, the present monograph seeks to introduce the reader to it through illustrations of pats from the author’s personal collection dealing with one particular Hindu deity, namely, Lord Krishna.

     100.00
  • āĻļā§āĻ­ā§‡āĻ¨ā§āĻĻā§ āĻĻāĻžāĻļāĻ—ā§āĻĒā§āĻ¤
    āĻĻā§‡āĻ“ā§ŸāĻžāĻ˛ āĻ˛ā§‡āĻ–āĻžāĻ° āĻ†āĻ¤ā§āĻŽāĻ•āĻĨāĻž

    ‘āĻāĻ•āĻŸāĻž āĻĻā§‡āĻ“ā§ŸāĻžāĻ˛āĨ¤ āĻĻā§‡āĻ“ā§ŸāĻžāĻ˛ā§‡āĻ° āĻ¸āĻžāĻŽāĻ¨ā§‡ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ āĻ†āĻ›āĻŋ āĻ†āĻŽāĻŋ, āĻ†āĻŽāĻ°āĻž, āĻ•āĻŽāĻ°ā§‡āĻĄ, āĻĒāĻžāĻ°ā§āĻŸāĻŋāĨ¤ āĻĻā§‡āĻ“ā§ŸāĻžāĻ˛ā§‡ āĻļāĻžāĻĻāĻž āĻ°āĻ™ā§‡āĻ° āĻĒā§‹āĻāĻš āĻ˛āĻžāĻ—āĻŋā§Ÿā§‡ āĻĻāĻŋāĻšā§āĻ›ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸āĨ¤ āĻ—ā§āĻā§œā§‹ āĻ¨ā§€āĻ˛ā§‡ āĻ¸ā§āĻ¤āĻ˛āĻŋ āĻšā§āĻŦāĻŋā§Ÿā§‡ āĻ˛āĻžāĻ‡āĻ¨ āĻĻāĻžāĻ—āĻŋā§Ÿā§‡ āĻĻāĻŋāĻšā§āĻ›ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ¸ā§āĻŦāĻĒā§āĻ¨āĨ¤ āĻ°āĻ™-āĻ­āĻ°āĻž āĻŸāĻŋāĻ¨ āĻ§āĻ°ā§‡ āĻĨāĻžāĻ•āĻ›ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ°āĻžāĻœāĻ¨ā§€āĻ¤āĻŋāĨ¤ āĻāĻ—āĻŋā§Ÿā§‡ āĻĻāĻŋāĻšā§āĻ›ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ˛ā§œāĻžāĻ‡āĨ¤ āĻĻā§‡āĻ“ā§ŸāĻžāĻ˛ā§‡ āĻ†āĻāĻ•āĻž āĻšā§Ÿā§‡ āĻ¯āĻžāĻšā§āĻ›ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŽā§āĻ•ā§āĻ¤āĻžāĻžā§āĻšāĻ˛āĨ¤ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻĻā§‡āĻļāĨ¤ āĻ“ā§ŸāĻžāĻ˛āĻŋāĻ‚ āĻļā§‡āĻˇ āĻ•āĻ°ā§‡ āĻŽā§āĻ ā§‹-āĻ•āĻ°āĻž āĻšāĻžāĻ¤ āĻ¤ā§āĻ˛ā§‡ āĻŦāĻ˛ā§‡ āĻ‰āĻ āĻ˛āĻžāĻŽ, āĻ˛āĻžāĻ˛ āĻ¸ā§‡āĻ˛āĻžāĻŽāĨ¤â€™ āĻāĻ‡ āĻ­āĻžāĻŦā§‡ āĻ¸āĻ¤ā§āĻ¤āĻ°ā§‡āĻ° āĻ†āĻ—ā§āĻ¨-āĻāĻ°āĻž āĻĻāĻŋāĻ¨ā§‡ āĻĻā§‡āĻ“ā§ŸāĻžāĻ˛ āĻ˛ā§‡āĻ–āĻžāĻ° āĻŽāĻ¨ āĻŽā§‡āĻœāĻžāĻœ āĻ­ā§Ÿ āĻ‰āĻĻā§āĻŦā§‡āĻ— āĻ†āĻ¨āĻ¨ā§āĻĻ āĻĨā§‡āĻ•ā§‡ āĻ¤āĻžāĻ° āĻ°ā§€āĻ¤āĻŋ āĻĒā§āĻ°āĻ•āĻ°āĻŖ āĻ°āĻžāĻœāĻ¨ā§€āĻ¤āĻŋ āĻ“ āĻ¨āĻ¨ā§āĻĻāĻ¨āĻ¤āĻ¤ā§āĻ¤ā§āĻŦ āĻĒāĻ°ā§āĻ¯āĻ¨ā§āĻ¤ āĻŦāĻŋāĻļāĻĻ āĻ•āĻ°ā§‡āĻ›ā§‡āĻ¨ āĻ˛ā§‡āĻ–āĻ•āĨ¤ āĻ āĻ¤āĻžāĻāĻ° āĻāĻ•āĻžāĻ° āĻ†āĻ¤ā§āĻŽāĻ•āĻĨāĻž āĻ¨ā§Ÿ āĻ¤āĻžāĻ‡, āĻšā§Ÿā§‡ āĻ‰āĻ ā§‡āĻ›ā§‡ āĻ¸āĻŽā§Ÿā§‡āĻ°āĻ‡ āĻ¸āĻšāĻŋāĻ¤ā§āĻ° āĻ†āĻ¤ā§āĻŽāĻ•āĻĨāĻ¨āĨ¤

    pdf version

     50.00
  • BHOLANATH BHATTACHARYA
    The Ornaments of Bengal: A Profile

    This is the story of the ornaments of Bengal as viewed in the historical perspective. The book traces the development of the ornaments of Bengal in fascinating manner with particular emphasis on how ornaments have reflected the social history of the land.

     70.00
    Version : ebook - hardcopy
  • āĻāĻ–āĻ¨ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻĻā§‡āĻļā§‡ āĻ¨āĻŋāĻˇā§‡āĻ§ā§‡āĻ° āĻŦāĻŋāĻ§āĻžāĻ¨āĨ¤ āĻāĻ‡ āĻ–āĻžāĻŦāĻžāĻ° āĻ–āĻžāĻ“ā§ŸāĻž āĻŦāĻžāĻ°āĻŖāĨ¤ āĻāĻ‡ āĻĒāĻļā§āĻ° āĻŽāĻžāĻ‚āĻ¸ āĻ¨āĻŋāĻˇāĻŋāĻĻā§āĻ§āĨ¤ āĻŽāĻĻ āĻŦāĻŋāĻ•ā§āĻ°āĻŋ āĻ•āĻ°āĻž āĻšāĻ˛āĻŦā§‡ āĻ¨āĻžāĨ¤ āĻāĻ‡ āĻšāĻ˛āĻšā§āĻšāĻŋāĻ¤ā§āĻ°ā§‡ āĻāĻ‡ āĻĻā§ƒāĻļā§āĻ¯ āĻŦāĻžāĻĻ āĻĻāĻŋāĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤ āĻāĻ‡ āĻŦāĻŋāĻˇā§Ÿ āĻ¨āĻŋā§Ÿā§‡ āĻ•ā§‹āĻ¨ āĻŦāĻ‡ āĻ˛ā§‡āĻ–āĻž āĻ¨āĻŋāĻˇā§‡āĻ§āĨ¤ āĻāĻŽāĻ¨ āĻ›āĻŦāĻŋ āĻ†āĻāĻ•āĻž āĻ¯āĻžāĻŦā§‡ āĻ¨āĻžāĨ¤ āĻāĻŽāĻ¨ āĻ–āĻŦāĻ° āĻ›āĻžāĻĒāĻž āĻšāĻ˛āĻŦā§‡ āĻ¨āĻžāĨ¤ āĻ…āĻŽā§āĻ•ā§‡āĻ° āĻŦāĻŋāĻ°ā§āĻĻā§āĻ§ā§‡ āĻ•āĻŋāĻ›ā§ āĻŦāĻ˛āĻž āĻŦāĻžāĻ°āĻŖāĨ¤ āĻāĻ‡ āĻ§āĻ°āĻ¨ā§‡āĻ° āĻ•ā§‹āĻ¨ āĻ•āĻĨāĻž āĻŦāĻ˛āĻ˛ā§‡ āĻĻā§‡āĻļāĻĻā§āĻ°ā§‹āĻšā§€ āĻ•āĻŋāĻ‚āĻŦāĻž āĻĻā§‡āĻļ āĻ›ā§‡ā§œā§‡ āĻšāĻ˛ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤ āĻ…āĻĨāĻŦāĻž āĻ›āĻŦāĻŋ āĻĒā§ā§œāĻŋā§Ÿā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻšāĻŦā§‡, āĻŦāĻž āĻŽā§āĻ–ā§‡ āĻ•āĻžāĻ˛āĻŋ āĻ˛āĻžāĻ—āĻŋā§Ÿā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻšāĻŦā§‡, āĻŦāĻ‡ āĻŦāĻ¨ā§āĻ§ āĻ•āĻ°ā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻšāĻŦā§‡, āĻ…āĻĨāĻŦāĻž āĻ—ā§āĻ˛āĻŋ āĻ•āĻ°ā§‡ āĻŽā§‡āĻ°ā§‡ āĻĢā§‡āĻ˛āĻž āĻšāĻŦā§‡āĨ¤ āĻ āĻ¸āĻŦāĻ‡ āĻ•ā§āĻˇāĻŽāĻ¤āĻžā§Ÿ āĻ†āĻ¸ā§€āĻ¨āĻĻā§‡āĻ° āĻ¨āĻŋāĻ°ā§āĻĻā§‡āĻļāĨ¤ āĻ§āĻ°ā§āĻŽā§€ā§Ÿ āĻ•ā§āĻˇāĻŽāĻ¤āĻžāĻ¸ā§€āĻ¨, āĻ°āĻžāĻœāĻ¨ā§ˆāĻ¤āĻŋāĻ• āĻ•ā§āĻˇāĻŽāĻ¤āĻžāĻ¸ā§€āĻ¨, āĻ¸āĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāĻ¤āĻŋāĻ• āĻ•ā§āĻˇāĻŽāĻ¤āĻžāĻ¸ā§€āĻ¨āĨ¤Â āĻāĻŽāĻ¨ āĻ¸āĻŦā§‡āĻ° āĻŦāĻŋāĻ°ā§āĻĻā§āĻ§ā§‡ āĻĒā§āĻ°āĻ¤āĻŋāĻŦāĻžāĻĻāĻ“ āĻšāĻ˛āĻ›ā§‡āĨ¤ āĻĒā§āĻ°āĻ¤āĻŋāĻŦāĻžāĻĻā§‡āĻ° āĻ¨āĻžāĻ¨āĻž āĻ§āĻ°āĻ¨āĨ¤ āĻāĻŽāĻ¨ āĻāĻ•āĻŸāĻŋ āĻ§āĻ°āĻ¨ āĻ¨āĻŋā§Ÿā§‡āĻ‡ āĻāĻ‡ āĻ˛ā§‡āĻ–āĻžāĨ¤ āĻ§āĻ°āĻ¨āĻŸāĻŋāĻ° āĻ¨āĻžāĻŽ āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨āĨ¤ āĻ¤āĻŦā§‡ āĻāĻ–āĻ¨āĻ•āĻžāĻ° āĻ†āĻāĻ•āĻž āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨ āĻ¨ā§Ÿ, āĻ…āĻ¨ā§‡āĻ•āĻĻāĻŋāĻ¨ āĻ†āĻ—ā§‡āĻ° āĻ†āĻāĻ•āĻžāĨ¤ āĻ¸ā§‡āĻ‡ ā§§ā§¯ā§§ā§Ļ āĻ†āĻ° ā§§ā§¯ā§¨ā§Ļ— āĻāĻ‡ āĻĻā§āĻ‡ āĻĻāĻļāĻ•ā§‡āĻ°āĨ¤ āĻāĻāĻ•ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨ āĻ—āĻ—āĻ¨ā§‡āĻ¨ā§āĻĻā§āĻ°āĻ¨āĻžāĻĨ āĻ āĻžāĻ•ā§āĻ°āĨ¤ āĻ¯āĻžāĻ° āĻšāĻžāĻ¤ āĻ§āĻ°ā§‡ āĻŦāĻžāĻ‚āĻ˛āĻžā§Ÿ āĻ›āĻŦāĻŋ āĻ†āĻ° āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨ā§‡āĻ° āĻ†āĻ§ā§āĻ¨āĻŋāĻ•āĻ¤āĻž āĻ†āĻ¸āĻžāĨ¤āĻāĻ‡ āĻ˛ā§‡āĻ–āĻžāĻŸāĻŋāĻ¤ā§‡ āĻ—āĻ—āĻ¨ā§‡āĻ¨ā§āĻĻā§āĻ°āĻ¨āĻžāĻĨā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻ•â€™āĻŸāĻŋ āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨ āĻ†āĻ¨āĻž, āĻ¯āĻžāĻ° āĻŦāĻŋāĻˇā§Ÿ āĻ†āĻ° āĻāĻ–āĻ¨āĻ•āĻžāĻ° āĻŦāĻŋāĻˇā§Ÿ, āĻ¯ā§‡-āĻŦāĻŋāĻˇā§ŸāĻŸāĻŋ āĻ¨āĻŋā§Ÿā§‡ āĻāĻ‡ āĻ˛ā§‡āĻ–āĻžāĻŸāĻŋāĻ¤ā§‡ āĻŦāĻ˛āĻž, āĻ¤āĻžāĻ° āĻŽāĻŋāĻ˛āĨ¤ āĻ†āĻļā§āĻšāĻ°ā§āĻ¯ āĻŽāĻŋāĻ˛āĨ¤

     25.00
  • āĻ…āĻ˛āĻ•āĻžāĻ¨āĻ¨ā§āĻĻāĻž āĻ¸ā§‡āĻ¨āĻ—ā§āĻĒā§āĻ¤
    āĻ­āĻžāĻ¸ā§āĻ•āĻ° āĻŽā§€āĻ°āĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžā§Ÿā§‡āĻ° āĻœā§€āĻŦāĻ¨āĻļāĻŋāĻ˛ā§āĻĒ

    āĻŦāĻŋāĻļ āĻļāĻ¤āĻ•ā§‡ āĻ āĻĻā§‡āĻļā§‡āĻ° āĻ­āĻžāĻ¸ā§āĻ•āĻ°āĻĻā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ¸āĻ°ā§āĻŦ āĻ…āĻ°ā§āĻĨā§‡āĻ‡ āĻ…āĻ—ā§āĻ°āĻ—āĻŖā§āĻ¯āĻž āĻ›āĻŋāĻ˛ā§‡āĻ¨ āĻŽā§€āĻ°āĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžā§ŸāĨ¤ āĻŦāĻŋāĻˇā§Ÿ-āĻ­āĻžāĻŦāĻ¨āĻžā§Ÿ āĻāĻŦāĻ‚ āĻĒā§āĻ°ā§Ÿā§‹āĻ—-āĻ•ā§ŒāĻļāĻ˛ā§‡ āĻ¤āĻžāĻāĻ° āĻ•āĻžāĻœ āĻāĻ•āĻĻāĻŋāĻ•ā§‡ āĻ¯ā§‡āĻŽāĻ¨ āĻ–āĻžāĻāĻŸāĻŋ āĻĻā§‡āĻļāĻœ, āĻ…āĻ¨ā§āĻ¯ āĻĻāĻŋāĻ•ā§‡ āĻ¤ā§‡āĻŽāĻ¨āĻ‡ āĻ¤āĻž āĻ¸ā§āĻĒāĻ°ā§āĻļ āĻ•āĻ°ā§‡ āĻ†āĻ›ā§‡ āĻ¸āĻ°ā§āĻŦāĻœāĻžāĻ¤āĻŋāĻ• āĻāĻ¤āĻŋāĻšā§āĻ¯āĨ¤ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻŦāĻž āĻ­āĻžāĻ¸ā§āĻ•āĻ° āĻšāĻŋāĻ¸ā§‡āĻŦā§‡ āĻ¤āĻŋāĻ¨āĻŋ āĻ¯ā§‡āĻŽāĻ¨ āĻ…āĻ¨āĻ¨ā§āĻ¯, āĻŽāĻžāĻ¨ā§āĻˇ āĻšāĻŋāĻ¸ā§‡āĻŦā§‡āĻ“ āĻ›āĻŋāĻ˛ā§‡āĻ¨ āĻ¤ā§‡āĻŽāĻ¨āĻ‡ āĻ…āĻ¸āĻžāĻ§āĻžāĻ°āĻŖāĨ¤ āĻœā§€āĻŦāĻ¨ āĻ†āĻ° āĻļāĻŋāĻ˛ā§āĻĒ āĻ¤āĻžāĻāĻ° āĻ•āĻžāĻ›ā§‡ āĻ†āĻ˛āĻžāĻĻāĻž āĻ•āĻŋāĻ›ā§ āĻ›āĻŋāĻ˛ āĻ¨āĻž, āĻŦāĻ°āĻ‚ āĻĻā§ā§Ÿā§‡ āĻŽāĻŋāĻ˛ā§‡ āĻšā§Ÿā§‡ āĻ‰āĻ ā§‡āĻ›āĻŋāĻ˛ āĻ…āĻ¨āĻ¨ā§āĻ•āĻ°āĻŖā§€ā§Ÿ āĻœā§€āĻŦāĻ¨āĻļāĻŋāĻ˛ā§āĻĒāĨ¤ āĻāĻ‡ āĻŦāĻ‡ā§Ÿā§‡āĻ° āĻ˛ā§‡āĻ–āĻŋāĻ•āĻž āĻ¸ā§āĻŦā§ŸāĻ‚ āĻ­āĻžāĻ¸ā§āĻ•āĻ° āĻšāĻ“ā§ŸāĻžāĻ° āĻ¸ā§āĻŦāĻžāĻĻā§‡ āĻāĻ•āĻ¸āĻŽā§Ÿā§‡ āĻ¤āĻžāĻāĻ•ā§‡ āĻĻā§‡āĻ–ā§‡āĻ›ā§‡āĻ¨ āĻ–ā§āĻŦ āĻ•āĻžāĻ› āĻĨā§‡āĻ•ā§‡, āĻāĻŦāĻ‚ āĻ¸ā§‡āĻ‡ āĻ¸ā§‚āĻ¤ā§āĻ°ā§‡āĻ‡ āĻŽā§€āĻ°āĻž-āĻ° āĻ•āĻžāĻœā§‡āĻ° āĻĒāĻĻā§āĻ§āĻ¤āĻŋ āĻ“ āĻĒā§āĻ°āĻ•āĻ°āĻŖā§‡āĻ° āĻĻāĻŋāĻ•āĻŸāĻŋ āĻ¯ā§‡āĻŽāĻ¨ āĻ¤āĻžāĻāĻ° āĻ•āĻžāĻ›ā§‡ āĻ¸ā§āĻĒāĻˇā§āĻŸ āĻšā§Ÿā§‡āĻ›ā§‡, āĻ¤ā§‡āĻŽāĻ¨āĻ‡ āĻŽā§€āĻ°āĻž-āĻ° āĻ•āĻžāĻœā§‡āĻ° āĻŽāĻ°ā§āĻŽāĻœāĻ—āĻ¤āĻŸāĻŋāĻ“ āĻ¤āĻžāĻāĻ° āĻ•āĻžāĻ›ā§‡ āĻ…āĻ§āĻ°āĻž āĻĨāĻžāĻ•ā§‡āĻ¨āĻŋāĨ¤ āĻŽā§€āĻ°āĻž-āĻ° āĻ…āĻ¸āĻ‚āĻ–ā§āĻ¯ āĻ­āĻžāĻ¸ā§āĻ•āĻ°ā§āĻ¯ā§‡āĻ° āĻ›āĻŦāĻŋ āĻĻāĻŋā§Ÿā§‡ āĻ¸āĻžāĻœāĻžāĻ¨ā§‹ āĻ āĻŦāĻ‡ āĻāĻ•āĻĻāĻŋāĻ• āĻĨā§‡āĻ•ā§‡ āĻ…āĻ¨āĻ¨ā§āĻ¯āĨ¤

     60.00
  • NIKHIL BISWAS
    Men Women and Other Drawings
    first part: Women

    Compilation of over 50 unseen drawings and related writings from the unpublished diary of this powerful painter, known to be one of the theoreticians and organizers of art movement in 20th century Bengal.

     40.00
  • SUDHIR KHASTGIR
    Myself and Other Writings

    This is a collection of the reminiscences and other autobiographical writings in English by the eminent artist-sculptor published in his centenary year. The book is complete with the full-page reproductions of a number of paintings and sculptures.

     60.00
  • This is the celebrated book on art and aesthetics of the east written by the Japanese master artist, theoretician and art activist Kakuzo Okakura.

     40.00
Shop
Filters
0 Wishlist
1 Cart