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  • āĻĒā§āĻ°āĻ–ā§āĻ¯āĻžāĻ¤ āĻ­āĻžāĻ¸ā§āĻ•āĻ° āĻŽā§€āĻ°āĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžāĻ¯āĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āĻ¨āĻŋāĻœā§‡āĻ° āĻšāĻžāĻ¤ā§‡ āĻ›āĻŦāĻŋ āĻāĻāĻ•ā§‡ āĻ“ āĻ˛āĻŋāĻ–ā§‡ āĻŽā§‚āĻ˛āĻ¤ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻāĻŽāĻ¨ āĻ•āĻ¯āĻŧā§‡āĻ•āĻŸāĻŋ āĻŦāĻ‡ āĻ¤ā§ˆāĻ°āĻŋ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨āĨ¤ āĻāĻŸāĻŋ āĻ¸ā§‡āĻ‡ āĻ¸āĻŋāĻ°āĻŋāĻœā§‡āĻ° āĻšāĻ¤ā§āĻ°ā§āĻĨ āĻŦāĻ‡āĨ¤ āĻ‡-āĻŦāĻ‡ āĻšāĻŋāĻ¸ā§‡āĻŦā§‡ āĻĒā§āĻ°āĻĨāĻŽ āĻĒā§āĻ°āĻ•āĻžāĻļāĻŋāĻ¤ āĻāĻ‡ āĻŦāĻ‡ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻšāĻ˛ā§‡āĻ“ āĻŦāĻĄāĻŧāĻĻā§‡āĻ°āĻ“ āĻ¸āĻŽāĻžāĻ¨ āĻ†āĻ¨āĻ¨ā§āĻĻ āĻĻā§‡āĻŦā§‡ āĻŦāĻ˛ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸āĨ¤

     20.00
  • āĻĒā§āĻ°āĻ–ā§āĻ¯āĻžāĻ¤ āĻ­āĻžāĻ¸ā§āĻ•āĻ° āĻŽā§€āĻ°āĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžāĻ¯āĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āĻ¨āĻŋāĻœā§‡āĻ° āĻšāĻžāĻ¤ā§‡ āĻ›āĻŦāĻŋ āĻāĻāĻ•ā§‡ āĻ“ āĻ˛āĻŋāĻ–ā§‡ āĻŽā§‚āĻ˛āĻ¤ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻāĻŽāĻ¨ āĻ•āĻ¯āĻŧā§‡āĻ•āĻŸāĻŋ āĻŦāĻ‡ āĻ¤ā§ˆāĻ°āĻŋ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨āĨ¤ āĻāĻŸāĻŋ āĻ¸ā§‡āĻ‡ āĻ¸āĻŋāĻ°āĻŋāĻœā§‡āĻ° āĻ¤ā§ƒāĻ¤ā§€ā§Ÿ āĻŦāĻ‡āĨ¤ āĻ‡-āĻŦāĻ‡ āĻšāĻŋāĻ¸ā§‡āĻŦā§‡ āĻĒā§āĻ°āĻĨāĻŽ āĻĒā§āĻ°āĻ•āĻžāĻļāĻŋāĻ¤ āĻāĻ‡ āĻŦāĻ‡ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻšāĻ˛ā§‡āĻ“ āĻŦāĻĄāĻŧāĻĻā§‡āĻ°āĻ“ āĻ¸āĻŽāĻžāĻ¨ āĻ†āĻ¨āĻ¨ā§āĻĻ āĻĻā§‡āĻŦā§‡ āĻŦāĻ˛ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸āĨ¤

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  • āĻĒā§āĻ°āĻ–ā§āĻ¯āĻžāĻ¤ āĻ­āĻžāĻ¸ā§āĻ•āĻ° āĻŽā§€āĻ°āĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžāĻ¯āĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āĻ¨āĻŋāĻœā§‡āĻ° āĻšāĻžāĻ¤ā§‡ āĻ›āĻŦāĻŋ āĻāĻāĻ•ā§‡ āĻ“ āĻ˛āĻŋāĻ–ā§‡ āĻŽā§‚āĻ˛āĻ¤ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻāĻŽāĻ¨ āĻ•āĻ¯āĻŧā§‡āĻ•āĻŸāĻŋ āĻŦāĻ‡ āĻ¤ā§ˆāĻ°āĻŋ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨āĨ¤ āĻāĻŸāĻŋ āĻ¸ā§‡āĻ‡ āĻ¸āĻŋāĻ°āĻŋāĻœā§‡āĻ° āĻĻā§āĻŦāĻŋāĻ¤ā§€ā§Ÿ āĻŦāĻ‡āĨ¤ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻšāĻ˛ā§‡āĻ“ āĻŦāĻĄāĻŧāĻĻā§‡āĻ°āĻ“ āĻ¤āĻž āĻ¸āĻŽāĻžāĻ¨ āĻ†āĻ¨āĻ¨ā§āĻĻ āĻĻā§‡āĻŦā§‡ āĻŦāĻ˛ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸āĨ¤

     20.00
  • āĻĒā§āĻ°āĻ–ā§āĻ¯āĻžāĻ¤ āĻ­āĻžāĻ¸ā§āĻ•āĻ° āĻŽā§€āĻ°āĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžāĻ¯āĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āĻ¨āĻŋāĻœā§‡āĻ° āĻšāĻžāĻ¤ā§‡ āĻ›āĻŦāĻŋ āĻāĻāĻ•ā§‡ āĻ“ āĻ˛āĻŋāĻ–ā§‡ āĻŽā§‚āĻ˛āĻ¤ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻāĻŽāĻ¨ āĻ•āĻ¯āĻŧā§‡āĻ•āĻŸāĻŋ āĻŦāĻ‡ āĻ¤ā§ˆāĻ°āĻŋ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨āĨ¤ āĻāĻŸāĻŋ āĻ¸ā§‡āĻ‡ āĻ¸āĻŋāĻ°āĻŋāĻœā§‡āĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻŦāĻ‡āĨ¤ āĻ›ā§‹āĻŸāĻĻā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻšāĻ˛ā§‡āĻ“ āĻŦāĻĄāĻŧāĻĻā§‡āĻ°āĻ“ āĻ¤āĻž āĻ¸āĻŽāĻžāĻ¨ āĻ†āĻ¨āĻ¨ā§āĻĻ āĻĻā§‡āĻŦā§‡ āĻŦāĻ˛ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸āĨ¤

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  • āĻļā§āĻ°āĻŽ āĻ†āĻ‡āĻ¨, āĻļā§āĻ°āĻŽāĻŋāĻ•āĻĻā§‡āĻ° āĻŦāĻŋāĻˇā§Ÿā§‡ āĻ¯ā§‡-āĻ¸āĻŦ āĻ†āĻ‡āĻ¨ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻĻā§‡āĻļā§‡ āĻšāĻžāĻ˛ā§ āĻ†āĻ›ā§‡, āĻ›āĻŋāĻ˛, āĻ¸ā§‡ āĻ¸āĻŦ āĻāĻ–āĻ¨ āĻŦāĻĻāĻ˛āĻžāĻ¨ā§‹ āĻšāĻ˛āĻ›ā§‡ā§ˇ āĻŦāĻĻāĻ˛āĻžāĻ¨ā§‹āĻ° āĻĒā§āĻ°āĻ¸ā§āĻ¤āĻžāĻŦ āĻ•āĻ°āĻž āĻšāĻšā§āĻ›ā§‡ā§ˇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻ°āĻžāĻœā§āĻ¯ā§‡ āĻāĻŦāĻ‚ āĻ•ā§‡āĻ¨ā§āĻĻā§āĻ°ā§‡ā§ˇ āĻŦāĻĻāĻ˛ā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻāĻ‡ āĻ¸āĻŦ āĻ†āĻ‡āĻ¨, āĻĒā§āĻ°āĻĨāĻŽā§‡ āĻāĻ•āĻŸāĻž-āĻāĻ•āĻŸāĻž āĻ•āĻ°ā§‡ āĻāĻ‡ āĻ˛ā§‡āĻ–āĻžā§Ÿ āĻŦāĻ˛āĻž āĻšā§Ÿā§‡āĻ›ā§‡āĨ¤ āĻ¤āĻžāĻ°āĻĒāĻ° āĻĻā§‡āĻ–āĻžāĻ¨ā§‹ āĻšā§Ÿā§‡āĻ›ā§‡ āĻāĻ‡ āĻ¸āĻŦ āĻ†āĻ‡āĻ¨ āĻŦāĻĻāĻ˛ā§‡ āĻĢā§‡āĻ˛āĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻ•ā§€-āĻ•ā§€ āĻ¯ā§āĻ•ā§āĻ¤āĻŋ āĻ¸āĻžāĻœāĻžāĻšā§āĻ›ā§‡ āĻ¸āĻ°āĻ•āĻžāĻ°ā§ˇ āĻ†āĻ° āĻ¸ā§‡ āĻ¯ā§āĻ•ā§āĻ¤āĻŋ āĻ•ā§‡āĻ¨ āĻ—ā§āĻ°āĻšāĻŖā§€ā§Ÿ āĻ¨ā§ŸāĨ¤ āĻ¸ā§‡āĻ‡ āĻ¸ā§‚āĻ¤ā§āĻ°ā§‡āĻ‡ āĻŦā§‹āĻāĻž āĻ¯āĻžāĻŦā§‡ āĻ•ā§‡āĻ¨ āĻāĻ‡ āĻŦāĻĻāĻ˛ā§‡āĻ° āĻŦāĻŋāĻ°ā§‹āĻ§āĻŋāĻ¤āĻž āĻ•āĻ°āĻž āĻĻāĻ°āĻ•āĻžāĻ°āĨ¤ āĻ¤āĻžāĻ‡ āĻļā§‡āĻˇā§‡ āĻŦāĻ˛āĻž āĻšā§Ÿā§‡āĻ›ā§‡ āĻāĻ° āĻŦāĻŋāĻ°ā§‹āĻ§āĻŋāĻ¤āĻžā§Ÿ āĻļā§āĻ°āĻŽāĻŋāĻ•āĻĻā§‡āĻ° āĻ•ā§€ āĻ•āĻ°āĻŖā§€ā§Ÿ, āĻ¤āĻž-āĻ‡ āĻ¨āĻŋā§Ÿā§‡ā§ˇ āĻ¸ā§āĻ–ā§āĻ¯āĻžāĻ¤ āĻŦāĻŋāĻļā§āĻ˛ā§‡āĻˇāĻ• āĻļā§āĻ­ā§‡āĻ¨ā§āĻĻā§ āĻĻāĻžāĻļāĻ—ā§āĻĒā§āĻ¤ā§‡āĻ° āĻāĻ‡ āĻ›ā§‹āĻŸā§āĻŸ āĻŦāĻ‡āĻŸāĻŋ āĻ āĻ¸āĻŽā§ŸāĻ•ā§‡ āĻŦā§āĻāĻ¤ā§‡ āĻœāĻ°ā§āĻ°āĻŋāĨ¤

     20.00
  • Shyamali Khastgir (1940-2101) was an artist and one of the leading social activists in the sphere of environment, anti-nuclear campaign, and other important concerns of life and nature.
    This series of drawings is the first one of the twin e-albums of Shyamali from a personal collection, presented here for the first time.

     45.00
  • Shyamali Khastgir (1940-2101) was an artist and one of the leading social activists in the sphere of environment, anti-nuclear campaign, and other important concerns of life and nature.
    This series of drawings is the first one of the twin e-albums of Shyamali from a personal collection, presented here for the first time.

     45.00
  • NIKHIL BISWAS
    Men Women and Other Drawings
    second part: Men

    Compilation of over 50 unseen drawings and related writings from the unpublished diary of this powerful painter, known to be one of the theoreticians and organizers of art movement in 20th century Bengal.

     40.00
  • NIKHIL BISWAS
    Men Women and Other Drawings
    first part: Women

    Compilation of over 50 unseen drawings and related writings from the unpublished diary of this powerful painter, known to be one of the theoreticians and organizers of art movement in 20th century Bengal.

     40.00
  • Sarat Chandra Das
    My Himalayan Journeys

    Sarat Chandra Das was one of the greatest pioneers of exploration and discovery in Tibet in nineteenth century. In 1879 – 82, when Tibet was a forbidden land for foreigners, Das went to Tibet twice in the disguise of a Buddhist lama crossing passes higher than 20,000 ft without the aid of modern mountaineering equipment and surveyed unknown regions of Kangchenjunga massif and Tibet on behalf of British Government of India. Apart from a remarkable contribution on the geographical research, Das, a scholar of Tibetan language and Buddhism, collected and later dispersed huge information on the cultural and social life, religion and politics of Tibet. This book presents Das’s rare travelogues, on how he crossed the Himalayas in both the journeys he made to Tibet. Edited by Tapas Moulik.

     

     50.00
  • SUDHIR KHASTGIR
    Myself and Other Writings

    This is a collection of the reminiscences and other autobiographical writings in English by the eminent artist-sculptor published in his centenary year. The book is complete with the full-page reproductions of a number of paintings and sculptures.

     60.00
  • This is the celebrated book on art and aesthetics of the east written by the Japanese master artist, theoretician and art activist Kakuzo Okakura.

     40.00
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