Brands

Sort By:
View:
  • DAVID J. McCUTCHION
    Unpublished Letters and Selected Articles
    Compiled and edited by Suhridkumar Bhowmick

    This book is uniquely enriched with about 70 priceless letters written by David McCutchion over a decade to the editor of this book. Beside this the book contains some invaluable writings on the temples of Bengal, about comparative religion, two unpublished articles on the struggle of East Bengal of that period and also a lot of unpublished photographs taken by David.

     225.00
    Version : ebook - hardcopy
  • ANANDA K COOMARASWAMY
    The Indian Craftsman

    Closely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.

     160.00
    Version : ebook - hardcopy
  • PAUL GAUGUIN
    Noa Noa: The Tahiti Journal

    One of the most prominent post-impressionist artists, Paul Gauguin left his family and country only to move to the country of the so-called ‘uncivilized’ Maoris for the sake of painting. There he stayed with the Maoris, noted every intrinsic details of their livelihood and collected their mythology and folklores. He detailed every aspects of them in this book, elaborated the picture of a great civilization. Added with these are reproductions of many of his black and white paintings drawn during his Tahiti days.

     195.00
    Version : ebook - hardcopy
  • BHOLANATH BHATTACHARYA
    Esoteric Cults of Consort Worship in Bengal

    From the very days of inception woman breeds a sense of fear as well as devotion in the minds of man due to her mysterious relation with the process of creation. Worshiping woman as a symbol of power of creation and fertility also started from then. At the preliminary stage woman was worshiped as mother. Later, as man also found himself as a contributor in this process of creation, woman was worshiped as companion. The author gives a description of these confined cults which are practiced in different parts of Bengal in India for a long time. Before thirty five years this paper drew the attention of Mircea Eliade, Dineshchandra Sarkar, Atul Sur, Mazharul Islam and Mikhail Nalizevski when it was published for the first time in the ‘Folklore’ journal.

     40.00
  • Nemai Ghosh
    Talking about Films
    Writings Speeches Interviews

    This is a collection of English writings, speeches and interviews of Nemai Ghosh, best known as the director of the first neo-realist film ‘Chinnamul’ that dealt with partition of Bengal during the partition of India in 1947.

     50.00
  • Selected Editorials from NOW
    A Political and Cultural Weekly

    Edited by SAMAR SEN

    This is compilation of editorials written during the period of January to August 1965 by the celebrated writer and editor Samar Sen for Now, the weekly founded and edited by him.

     50.00
  • Shyamali khastgir
    Jadugoda Diary

    The uranium that fuels India’s nuclear weapons and energy programme is mined at Jadugoda in Singhbhum district in the state of Jharkhand. The company that does the mining is Uranium Corporation of India Ltd (UCIL). UCIL was established in 1967 and started its operations in 1968 at Jadugoda with uranium ore mining and a processing plant, each of 1,000 metric tonnes per day capacity.

    For more than three decades, there have been a large number of news reports in various magazines and newspapers, detailing various health problems suffered by the people of the area. Mostly these have concerned a large number of deformities in children and various kinds of lung problems.

    Shyamali Khastgir surveyed the area in year 2000 and brought out this report.

     40.00
  • āĻĒāĻžāĻ‰āĻ˛ā§‹ āĻĢā§āĻ°ā§‡āĻ‡āĻ°āĻŋ
    āĻŽā§āĻ•ā§āĻ¤āĻŋāĻ° āĻœāĻ¨ā§āĻ¯ āĻ¸āĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāĻ¤āĻŋāĻ• āĻĒā§āĻ°ā§ŸāĻžāĻ¸Â 

    āĻĒāĻžāĻ‰āĻ˛ā§‹ āĻĢā§āĻ°ā§‡āĻ‡āĻ°āĻŋ-āĻ° āĻļāĻŋāĻ•ā§āĻˇāĻžāĻšāĻŋāĻ¨ā§āĻ¤āĻžāĻ° āĻŽā§‚āĻ˛ āĻ•āĻĨāĻž āĻšāĻ˛â€” āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻŽāĻžāĻ¨ā§āĻˇ āĻāĻ•-āĻāĻ•āĻŸāĻŋ āĻ¸ā§āĻŦāĻ¤āĻ¨ā§āĻ¤ā§āĻ° āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ āĻ¸āĻ¤ā§āĻ¤āĻž, āĻ¯āĻŋāĻ¨āĻŋ āĻĒā§ƒāĻĨāĻŋāĻŦā§€āĻ•ā§‡ āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻ¨ āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨ āĻāĻŦāĻ‚ āĻ¨āĻ¤ā§āĻ¨ āĻ•āĻ°ā§‡ āĻ—ā§œāĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨āĨ¤ āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻšā§‡āĻ¤āĻ¨āĻž āĻ°ā§‚āĻĒ āĻĒāĻžā§Ÿ āĻ†āĻ°ā§āĻĨ-āĻ¸āĻžāĻŽāĻžāĻœāĻŋāĻ• āĻ“ āĻ°āĻžāĻœāĻ¨ā§ˆāĻ¤āĻŋāĻ• āĻĒāĻ°āĻŋāĻ¸ā§āĻĨāĻŋāĻ¤āĻŋ āĻ†āĻ° āĻŽāĻžāĻ¨ā§āĻˇāĻŸāĻŋāĻ° āĻ¨āĻŋāĻœāĻ¸ā§āĻŦ āĻĒāĻžāĻ°āĻŋāĻĒāĻžāĻ°ā§āĻļā§āĻŦāĻŋāĻ•ā§‡āĻ° āĻĒā§āĻ°āĻ­āĻžāĻŦā§‡āĨ¤ āĻ¤āĻ¤ā§āĻ¤ā§āĻŦ-āĻ•āĻ°ā§āĻŽ-āĻ¸āĻŽāĻ¨ā§āĻŦā§Ÿā§€ āĻŦāĻŋāĻļā§āĻ˛ā§‡āĻˇāĻŖā§€ āĻšā§‡āĻ¤āĻ¨āĻž āĻŽāĻžāĻ¨ā§āĻˇāĻ•ā§‡ āĻ­āĻžāĻŦāĻ¨āĻž āĻĨā§‡āĻ•ā§‡ āĻ•āĻžāĻœā§‡ āĻ…āĻ—ā§āĻ°āĻ¸āĻ° āĻšāĻ¤ā§‡ āĻļā§‡āĻ–āĻžā§ŸāĨ¤ āĻļā§‹āĻˇāĻ•ā§‡āĻ° āĻ†āĻ°ā§‹āĻĒāĻŋāĻ¤ āĻ¨ā§ˆāĻƒāĻļāĻŦā§āĻĻā§āĻ¯ā§‡āĻ° āĻ¸āĻ‚āĻ¸ā§āĻ•ā§ƒāĻ¤āĻŋ āĻ¨āĻŋāĻĒā§€ā§œāĻ¨ āĻœāĻžāĻ°āĻŋ āĻ°āĻžāĻ–āĻ¤ā§‡ āĻ¸āĻžāĻšāĻžāĻ¯ā§āĻ¯ āĻ•āĻ°ā§‡ āĻāĻŦāĻ‚ āĻŽāĻŋāĻĨā§āĻ¯āĻž āĻ•āĻŋāĻ›ā§ āĻ­āĻžāĻŦāĻ¨āĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻŽāĻžāĻ¨ā§āĻˇāĻ•ā§‡ āĻ†āĻŸāĻ•ā§‡ āĻ°āĻžāĻ–ā§‡āĨ¤ āĻœā§āĻžāĻžāĻ¨āĻžāĻ°ā§āĻœāĻ¨ā§‡āĻ° āĻ‰āĻĻā§āĻĻā§‡āĻļā§āĻ¯āĻ‡ āĻšāĻ˛ āĻļāĻŋāĻ•ā§āĻˇāĻžāĻ°ā§āĻĨā§€āĻ° (āĻ¸ā§‡āĻ‡ āĻ¸āĻ™ā§āĻ—ā§‡ āĻļāĻŋāĻ•ā§āĻˇāĻ•ā§‡āĻ°āĻ“) āĻ¤āĻ¤ā§āĻ¤ā§āĻŦ-āĻ•āĻ°ā§āĻŽ-āĻ¸āĻŽāĻ¨ā§āĻŦā§Ÿā§€ āĻŦāĻŋāĻļā§āĻ˛ā§‡āĻˇāĻŖā§€ āĻšā§‡āĻ¤āĻ¨āĻžā§ŸāĻ¨ā§‡āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻŦāĻžāĻ¸ā§āĻ¤āĻŦ āĻœā§€āĻŦāĻ¨ā§‡ āĻŽā§āĻ•ā§āĻ¤āĻŋ āĻ…āĻ°ā§āĻœāĻ¨ā§‡āĻ° āĻĒāĻĨ āĻ•āĻ°ā§‡ āĻ¨ā§‡āĻ“ā§ŸāĻž āĨ¤

    āĻĒāĻžāĻ‰āĻ˛ā§‹ āĻĢā§āĻ°ā§‡āĻ‡āĻ°āĻŋ-āĻ•ā§‡ āĻ¨āĻŋā§Ÿā§‡ āĻŦāĻŋāĻļā§āĻ˛ā§‡āĻˇāĻŖāĻŽā§‚āĻ˛āĻ• āĻ•āĻžāĻœ āĻāĻ–āĻžāĻ¨ā§‡ āĻŦāĻŋāĻļā§‡āĻˇ āĻšā§ŸāĻ¨āĻŋāĨ¤ āĻ¤āĻžāĻāĻ° āĻļāĻŋāĻ•ā§āĻˇāĻžāĻ¤āĻ¤ā§āĻ¤ā§āĻŦā§‡āĻ° āĻĒā§āĻ°ā§Ÿā§‹āĻ—āĻ“ āĻ–ā§āĻŦ āĻŦāĻŋāĻ¸ā§āĻ¤āĻžāĻ°āĻŋāĻ¤ āĻ“ āĻ¸āĻ‚āĻ—āĻ āĻŋāĻ¤ āĻ­āĻžāĻŦā§‡ āĻšā§ŸāĻ¨āĻŋāĨ¤ āĻŦāĻŋāĻĻā§āĻ¯āĻžā§ŸāĻ¤āĻ¨ā§‡āĻ° āĻ…āĻ¨ā§āĻĻāĻ°ā§‡ āĻŦāĻ¸ā§‡ āĻ—āĻŦā§‡āĻˇāĻŖāĻž āĻ¯āĻĨā§‡āĻˇā§āĻŸ āĻ¨ā§ŸāĨ¤ āĻ¤āĻžāĻāĻ•ā§‡ āĻ¨āĻŋā§Ÿā§‡ āĻ•ā§‹āĻ¨ āĻ…āĻ°ā§āĻĨāĻĒā§‚āĻ°ā§āĻŖ āĻ•āĻžāĻœ āĻ•āĻ°āĻ¤ā§‡ āĻ—ā§‡āĻ˛ā§‡ āĻĻā§‡āĻ“ā§ŸāĻžāĻ˛ā§‡āĻ° āĻŦāĻžāĻ‡āĻ°ā§‡ āĻ¨āĻž āĻāĻ˛ā§‡ āĻšāĻ˛āĻŦā§‡ āĻ¨āĻžāĨ¤ āĻ¤āĻž āĻ¨āĻž āĻšāĻ˛ā§‡ āĻŽā§‚āĻ˛ āĻŦā§āĻ¯āĻžāĻĒāĻžāĻ°āĻŸāĻžāĻ‡ āĻĨā§‡āĻ•ā§‡ āĻ¯āĻžāĻŦā§‡ āĻ…āĻ§āĻ°āĻžāĨ¤ āĻ¸āĻŽāĻ¸ā§āĻ¯āĻž āĻšāĻ˛, āĻĒā§āĻ°āĻĨāĻžāĻŦāĻšāĻŋāĻ°ā§āĻ­ā§‚āĻ¤ āĻļāĻŋāĻ•ā§āĻˇāĻžāĻ“ āĻāĻĻā§‡āĻļā§‡ āĻĒā§āĻ°āĻžāĻ¤āĻŋāĻˇā§āĻ āĻžāĻ¨āĻŋāĻ• āĻšā§Ÿā§‡ āĻĒā§œā§‡āĨ¤ āĻĻāĻ°āĻ•āĻžāĻ° āĻšāĻŋāĻ¨ā§āĻ¤āĻžāĻ­āĻžāĻŦāĻ¨āĻžāĻ•ā§‡ āĻŦāĻžāĻ•ā§āĻ¸ā§‡āĻ° āĻŦāĻžāĻ‡āĻ°ā§‡ āĻ¨āĻŋā§Ÿā§‡ āĻ†āĻ¸āĻž, āĻœāĻžāĻ¨āĻ˛āĻž āĻĻāĻŋā§Ÿā§‡ āĻŦāĻžāĻ‡āĻ°ā§‡ āĻ¤āĻžāĻ•āĻžāĻ¨ā§‹āĨ¤ ‘āĻļāĻŋāĻ•ā§āĻˇāĻžāĻŦā§āĻ¯āĻŦāĻ¸ā§āĻĨāĻžâ€™ āĻ¨āĻžāĻŽāĻ• āĻœā§œāĻĻā§â€ŒāĻ—āĻŦāĻŸāĻŋāĻ•ā§‡ āĻ­āĻžāĻ™āĻ¤ā§‡ āĻšāĻ˛ā§‡, āĻĢā§āĻ°ā§‡āĻ‡āĻ°āĻŋ-āĻ° āĻļāĻŋāĻ•ā§āĻˇāĻžāĻšāĻŋāĻ¨ā§āĻ¤āĻž āĻ…āĻ§ā§āĻ¯ā§ŸāĻ¨ āĻ•āĻ°āĻž āĻ¤āĻžāĻ‡ āĻ–ā§āĻŦāĻ‡ āĻœāĻ°ā§āĻ°āĻŋāĨ¤ āĻ¤āĻžāĻāĻ° āĻ¸āĻŦ āĻŦāĻ‡-āĻ‡ āĻĒā§œāĻž āĻ‰āĻšāĻŋāĻ¤, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻĒā§āĻ°āĻĨāĻŽā§‡ āĻĒā§œāĻž āĻ‰āĻšāĻŋāĻ¤ ‘āĻ•āĻžāĻ˛āĻšāĻžāĻ°āĻžāĻ˛ āĻ…ā§āĻ¯āĻžāĻ•āĻļāĻ¨ āĻĢāĻ° āĻĢā§āĻ°āĻŋāĻĄāĻŽâ€™āĨ¤

    āĻŦāĻžāĻ™āĻžāĻ˛āĻŋ āĻĒāĻžāĻ āĻ•ā§‡āĻ° āĻ•āĻžāĻ›ā§‡ āĻĒāĻžāĻ‰āĻ˛ā§‹ āĻĢā§āĻ°ā§‡āĻ‡āĻ°āĻŋ-āĻ•ā§‡ āĻāĻ•ā§‡āĻŦāĻžāĻ°ā§‡ āĻ—ā§‹ā§œāĻž āĻĨā§‡āĻ•ā§‡ āĻĒā§ŒāĻāĻ›ā§‡ āĻĻā§‡āĻ“ā§ŸāĻžāĻ° āĻœāĻ¨ā§āĻ¯āĻ‡ āĻāĻ‡ āĻŦāĻ‡ā§Ÿā§‡āĻ° āĻĒāĻ°āĻŋāĻ•āĻ˛ā§āĻĒāĻ¨āĻžāĨ¤ āĻŦāĻžāĻ‚āĻ˛āĻž āĻ­āĻžāĻˇāĻžā§Ÿ āĻĢā§āĻ°ā§‡āĻ‡āĻ°āĻŋ-āĻ° āĻ˛ā§‡āĻ–āĻž āĻ¸āĻžāĻŦāĻ˛ā§€āĻ˛ āĻ­āĻžāĻŦā§‡ āĻĒā§ŒāĻāĻ›ā§‡ āĻĻā§‡āĻ“ā§ŸāĻžāĻ° āĻŽā§‚āĻ˛ āĻ•āĻžāĻœāĻŸāĻŋ āĻ•āĻ°ā§‡āĻ›ā§‡āĻ¨ āĻ¸āĻŦāĻŋāĻ¤āĻž āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ āĻāĻŦāĻ‚ āĻ āĻŦāĻ‡ āĻ¸āĻŽā§āĻĒāĻžāĻĻāĻ¨āĻž āĻ•āĻ°ā§‡āĻ›ā§‡āĻ¨ āĻ¸āĻ˛āĻŋāĻ˛ āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸, āĻĻā§-āĻœāĻ¨ā§‡āĻ‡ āĻĒā§āĻ°āĻĨāĻžāĻŦāĻšāĻŋāĻ°ā§āĻ­ā§‚āĻ¤ āĻļāĻŋāĻ•ā§āĻˇāĻžāĻ° āĻ•āĻžāĻœā§‡ āĻĻā§€āĻ°ā§āĻ˜ āĻ…āĻ­āĻŋāĻœā§āĻžāĻ¤āĻžāĻ¸āĻŽā§āĻĒāĻ¨ā§āĻ¨āĨ¤

    āĻĒā§āĻ°āĻĨāĻŽ āĻ¸āĻ‚āĻ¸ā§āĻ•āĻ°āĻŖ, āĻ¨āĻ¤ā§āĻ¨ āĻŽā§āĻĻā§āĻ°āĻŖ, ā§§ā§§ā§Ļ āĻĒā§ƒāĻˇā§āĻ āĻž

     200.00
  • BHOLANATH BHATTACHARYA
    Esoteric Cults of Consort Worship in Bengal

    From the very days of inception woman breeds a sense of fear as well as devotion in the minds of man due to her mysterious relation with the process of creation. Worshipping woman as a symbol of power of creation and fertility also started from then. At the preliminary stage woman was worshipped as mother. Later, as man also found himself as a contributor in this process of creation, woman started herself being worshipped as companion. The author gives a description of these confined cults which are practised in different parts of Bengal in India for a long time.

     90.00
    Version : ebook - hardcopy
  • ANANDA K COOMARASWAMY
    The Indian Craftsman

    Closely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.

     50.00
  • Bholanath Bhattacharya
    Krishna in the traditional paintings of Bengal

    This monograph deals with the history of the pat in various parts of India, the evolution of the pat of Bengal with a special analysis of the Kalighat branch, the patuas, and lastly the history and significance of the Krishna cult in lndia in general and Bengal in particular and the place of this cult in the traditional painting of Bengal. Although the traditional pat of Bengal has had for its subject a host of religious and social themes, the present monograph seeks to introduce the reader to it through illustrations of pats from the author’s personal collection dealing with one particular Hindu deity, namely, Lord Krishna.

     100.00
  • BHOLANATH BHATTACHARYA
    The Ornaments of Bengal: A Profile

    This is the story of the ornaments of Bengal as viewed in the historical perspective. The book traces the development of the ornaments of Bengal in fascinating manner with particular emphasis on how ornaments have reflected the social history of the land.

     70.00
    Version : ebook - hardcopy
  • KALPANA BISWAS
    Conversation with the Maestros

    All these conversations were held between the Maestros (namely Bijan Bhattacharya, Ritwikkumar Ghatak and Salil Chowdhury) and Ms Kalpana Biswas during the period of 1976-78. Kalpana works as an independent filmmaker now. Prior to film making she had a long career in research based work. She had taken up this esteemed job as a research project in search of understanding the socio-economy of the turbulent 40’s. Published by Context Regroup.

     60.00
    Version : ebook - hardcopy
  • Joel Andreas
    Addicted to War

    For people of all ages who want to understand the link between U.S. militarism, foreign policies and corporate greed. The book illustrates (in comic book format) why the U.S. is necessarily dependent on war to feed its shameful consumption patterns. Updated 2010 edition.

     200.00
  • āĻāĻ–āĻ¨ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻĻā§‡āĻļā§‡ āĻ¨āĻŋāĻˇā§‡āĻ§ā§‡āĻ° āĻŦāĻŋāĻ§āĻžāĻ¨āĨ¤ āĻāĻ‡ āĻ–āĻžāĻŦāĻžāĻ° āĻ–āĻžāĻ“ā§ŸāĻž āĻŦāĻžāĻ°āĻŖāĨ¤ āĻāĻ‡ āĻĒāĻļā§āĻ° āĻŽāĻžāĻ‚āĻ¸ āĻ¨āĻŋāĻˇāĻŋāĻĻā§āĻ§āĨ¤ āĻŽāĻĻ āĻŦāĻŋāĻ•ā§āĻ°āĻŋ āĻ•āĻ°āĻž āĻšāĻ˛āĻŦā§‡ āĻ¨āĻžāĨ¤ āĻāĻ‡ āĻšāĻ˛āĻšā§āĻšāĻŋāĻ¤ā§āĻ°ā§‡ āĻāĻ‡ āĻĻā§ƒāĻļā§āĻ¯ āĻŦāĻžāĻĻ āĻĻāĻŋāĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤ āĻāĻ‡ āĻŦāĻŋāĻˇā§Ÿ āĻ¨āĻŋā§Ÿā§‡ āĻ•ā§‹āĻ¨ āĻŦāĻ‡ āĻ˛ā§‡āĻ–āĻž āĻ¨āĻŋāĻˇā§‡āĻ§āĨ¤ āĻāĻŽāĻ¨ āĻ›āĻŦāĻŋ āĻ†āĻāĻ•āĻž āĻ¯āĻžāĻŦā§‡ āĻ¨āĻžāĨ¤ āĻāĻŽāĻ¨ āĻ–āĻŦāĻ° āĻ›āĻžāĻĒāĻž āĻšāĻ˛āĻŦā§‡ āĻ¨āĻžāĨ¤ āĻ…āĻŽā§āĻ•ā§‡āĻ° āĻŦāĻŋāĻ°ā§āĻĻā§āĻ§ā§‡ āĻ•āĻŋāĻ›ā§ āĻŦāĻ˛āĻž āĻŦāĻžāĻ°āĻŖāĨ¤ āĻāĻ‡ āĻ§āĻ°āĻ¨ā§‡āĻ° āĻ•ā§‹āĻ¨ āĻ•āĻĨāĻž āĻŦāĻ˛āĻ˛ā§‡ āĻĻā§‡āĻļāĻĻā§āĻ°ā§‹āĻšā§€ āĻ•āĻŋāĻ‚āĻŦāĻž āĻĻā§‡āĻļ āĻ›ā§‡ā§œā§‡ āĻšāĻ˛ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤ āĻ…āĻĨāĻŦāĻž āĻ›āĻŦāĻŋ āĻĒā§ā§œāĻŋā§Ÿā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻšāĻŦā§‡, āĻŦāĻž āĻŽā§āĻ–ā§‡ āĻ•āĻžāĻ˛āĻŋ āĻ˛āĻžāĻ—āĻŋā§Ÿā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻšāĻŦā§‡, āĻŦāĻ‡ āĻŦāĻ¨ā§āĻ§ āĻ•āĻ°ā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻšāĻŦā§‡, āĻ…āĻĨāĻŦāĻž āĻ—ā§āĻ˛āĻŋ āĻ•āĻ°ā§‡ āĻŽā§‡āĻ°ā§‡ āĻĢā§‡āĻ˛āĻž āĻšāĻŦā§‡āĨ¤ āĻ āĻ¸āĻŦāĻ‡ āĻ•ā§āĻˇāĻŽāĻ¤āĻžā§Ÿ āĻ†āĻ¸ā§€āĻ¨āĻĻā§‡āĻ° āĻ¨āĻŋāĻ°ā§āĻĻā§‡āĻļāĨ¤ āĻ§āĻ°ā§āĻŽā§€ā§Ÿ āĻ•ā§āĻˇāĻŽāĻ¤āĻžāĻ¸ā§€āĻ¨, āĻ°āĻžāĻœāĻ¨ā§ˆāĻ¤āĻŋāĻ• āĻ•ā§āĻˇāĻŽāĻ¤āĻžāĻ¸ā§€āĻ¨, āĻ¸āĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāĻ¤āĻŋāĻ• āĻ•ā§āĻˇāĻŽāĻ¤āĻžāĻ¸ā§€āĻ¨āĨ¤Â āĻāĻŽāĻ¨ āĻ¸āĻŦā§‡āĻ° āĻŦāĻŋāĻ°ā§āĻĻā§āĻ§ā§‡ āĻĒā§āĻ°āĻ¤āĻŋāĻŦāĻžāĻĻāĻ“ āĻšāĻ˛āĻ›ā§‡āĨ¤ āĻĒā§āĻ°āĻ¤āĻŋāĻŦāĻžāĻĻā§‡āĻ° āĻ¨āĻžāĻ¨āĻž āĻ§āĻ°āĻ¨āĨ¤ āĻāĻŽāĻ¨ āĻāĻ•āĻŸāĻŋ āĻ§āĻ°āĻ¨ āĻ¨āĻŋā§Ÿā§‡āĻ‡ āĻāĻ‡ āĻ˛ā§‡āĻ–āĻžāĨ¤ āĻ§āĻ°āĻ¨āĻŸāĻŋāĻ° āĻ¨āĻžāĻŽ āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨āĨ¤ āĻ¤āĻŦā§‡ āĻāĻ–āĻ¨āĻ•āĻžāĻ° āĻ†āĻāĻ•āĻž āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨ āĻ¨ā§Ÿ, āĻ…āĻ¨ā§‡āĻ•āĻĻāĻŋāĻ¨ āĻ†āĻ—ā§‡āĻ° āĻ†āĻāĻ•āĻžāĨ¤ āĻ¸ā§‡āĻ‡ ā§§ā§¯ā§§ā§Ļ āĻ†āĻ° ā§§ā§¯ā§¨ā§Ļ— āĻāĻ‡ āĻĻā§āĻ‡ āĻĻāĻļāĻ•ā§‡āĻ°āĨ¤ āĻāĻāĻ•ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨ āĻ—āĻ—āĻ¨ā§‡āĻ¨ā§āĻĻā§āĻ°āĻ¨āĻžāĻĨ āĻ āĻžāĻ•ā§āĻ°āĨ¤ āĻ¯āĻžāĻ° āĻšāĻžāĻ¤ āĻ§āĻ°ā§‡ āĻŦāĻžāĻ‚āĻ˛āĻžā§Ÿ āĻ›āĻŦāĻŋ āĻ†āĻ° āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨ā§‡āĻ° āĻ†āĻ§ā§āĻ¨āĻŋāĻ•āĻ¤āĻž āĻ†āĻ¸āĻžāĨ¤āĻāĻ‡ āĻ˛ā§‡āĻ–āĻžāĻŸāĻŋāĻ¤ā§‡ āĻ—āĻ—āĻ¨ā§‡āĻ¨ā§āĻĻā§āĻ°āĻ¨āĻžāĻĨā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻ•â€™āĻŸāĻŋ āĻ•āĻžāĻ°ā§āĻŸā§āĻ¨ āĻ†āĻ¨āĻž, āĻ¯āĻžāĻ° āĻŦāĻŋāĻˇā§Ÿ āĻ†āĻ° āĻāĻ–āĻ¨āĻ•āĻžāĻ° āĻŦāĻŋāĻˇā§Ÿ, āĻ¯ā§‡-āĻŦāĻŋāĻˇā§ŸāĻŸāĻŋ āĻ¨āĻŋā§Ÿā§‡ āĻāĻ‡ āĻ˛ā§‡āĻ–āĻžāĻŸāĻŋāĻ¤ā§‡ āĻŦāĻ˛āĻž, āĻ¤āĻžāĻ° āĻŽāĻŋāĻ˛āĨ¤ āĻ†āĻļā§āĻšāĻ°ā§āĻ¯ āĻŽāĻŋāĻ˛āĨ¤

     25.00
  • This is the celebrated book on art and aesthetics of the east written by the Japanese master artist, theoretician and art activist Kakuzo Okakura.

     40.00
Shop
Filters
0 Wishlist
4 Cart